In Defense Of Sam Peckinpah (article by Mark Crispin Miller); Metz: Essais One and Film Theory (article by Brian Henderson); Style, Grammar And The Movies (article by Bill Nichols); Reviews: THE GAMBLER; CALIFORNIA SPLIT; ALICE DOESN'T LIVE HERE ANY MORE; SANATORIUM POD KLEPSYDRA (aka THE HOURGLASS);Books: reviews of "Film And The Narrative Tradition"; "Jean Renoir"; and "Kuleshov On Film".

John Ford: A Reassessment (article by Michael Dempsey); Retreat From Romanticism; Two Films From The Seventies (review article on RETOUR D'AFRIQUE and THE MERCHANT OF FOUR SEASONS by George Lellis); The Tyranny Of Convention In THE PHANTOM OF LIBERTY (article by Marsha Kinder); Antonioni After China (interview with Michelangelo Antonioni by Gideon Bachmann); Film Books: An Inexhaustive Survey (reviews of several dozen film books by Raymond Durgnat, Ernest Callenbach, Peter Hogue, Carel Rowe, Tom Schmidt, Ray Spangenberg and others); Reviews: THE PASSENGER; SHAMPOO; QUARRY.

Director Under The Influence (article on John Cassavetes by David Degener); NASHVILLE: An Interview Documentary (article with interview material by Connie Byrne and William O. Lopez); The Spectator-In-The-Text: The Rhetoric Of STAGECOACH (article by Nick Browne); Cuban Cinema: Tomas Guiterrez Alea (article by Margot Kernan); Interview: Pier Paolo Pasolini (by Gideon Bachmann); Reviews: NIGHT MOVES; CONVERSATION PIECE; LE COUSIN JULES; A FILM ABOUT SHARON; CONNIE CONSOLO.