Vol 24 # 3
Spring/March/April/May
Conrad Hall (interviewed by Michael Shedlin); Recent Film Writing - A Survey (article by Ernest Callenbach); Two Types Of Film Theory (article by Brian Henderson); Reviews: L'ENFANT SAUVAGE; THE PRIVATE LIFE OF SHERLOCK HOLMES; VIDAS SECAS; LE PETIT THEATRE DE JEAN RENOIR; WOODSTOCK; THE GREAT WHITE HOPE; I NEVER SANG FOR MY FATHER; LOVE STORY; QUICK BILLY; W.U.S.A.Book Reviews: including a review of "Saint Cinema" by Herman G. Weinberg.
Conrad Hall (interviewed by Michael Shedlin); Recent Film Writing - A Survey (article by Ernest Callenbach); Two Types Of Film Theory (article by Brian Henderson); Reviews: L'ENFANT SAUVAGE; THE PRIVATE...
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Vol 24 # 4
Summer/June/July/August
Fascism In The Contemporary Film (article by Joan Mellen); Interview: Stepin Fetchit (by Joseph McBride); The ICE-man Cometh (article by James Roy McBean); Interview: Eric Rohmer (by Graham Petrie); The Unloved One: Crisis At The American Film Institute (article by Ernest Callenbach); Reviews: L'AVEU (aka THE CONFESSION); GIMME SHELTER; WHERE'S POPPA?; DODESKADEN; MAD DOGS AND ENGLISHMEN; MY GIRLFRIEND'S WEDDING; RAMPARTS OF CLAY; REPORT FROM CHINA; THX-1138.
Fascism In The Contemporary Film (article by Joan Mellen); Interview: Stepin Fetchit (by Joseph McBride); The ICE-man Cometh (article by James Roy McBean); Interview: Eric Rohmer (by Graham Petrie); The...
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Vol 25 # 1
Fall/September/October/November
On cover: