Wippet Good • A Conversation Between Don McKellar and David Cronenberg on Crimes of the Future



Endless Night • Dark Glasses and the Remnants of Dario Argento’s Mad Poetry of Terror



Ordinary Beauty • On Helke Misselwitz



Revelations by Sunlight • Colectivo los ingrávidos’ The Sun Quartet



Send in the Clowns • Qiu Jiongjiong on A New Old Play



Cheesy Movies • On Mystery Science Theater 3000



The Natives Are Restless • Cannes’ Diamond Jubilee and Albert Serra’s Pacifiction



Triangle of Sadness • Ruben Östlund, Sweden/France/UK/Germany/Turkey



Stars at Noon • Claire Denis, France



EO • Jerzy Skolimowski, Poland/Italy



Gross Anatomy • Véréna Paravel & Lucien Castaing-Taylor on De Humani Corporis Fabrica



Will-o’-the-Wisp • João Pedro Rodrigues, Portugal/France



Men • Alex Garland, UK



A Cinema of Care • The Films of Janis Cole and Holly Dale



Living in Intersected Times • Moving Images at the Venice Biennale



In Transit • Jim Jennings (1951-2022)



Lessons in Oppression



HIT THE ROAD • Panah Panahi, Iran



EVERYTHING EVERYWHERE ALL AT ONCE • Daniel Kwan and Daniel Scheinert, US



APOLLO 10½: A SPACE AGE CHILDHOOD • Richard Linklater, US



THE PLAINS • David Easteal, Australia



THE NORTHMAN • Robert Eggers, US

Take These Broken Wings • Kelly Reichardt on Showing Up



Telling the Truth Can Be Dangerous Business • The Overdue Enshrinement of Elaine May



Can the Centre Hold? • The Films of Adirley Queirós



The Sea Inside • Helena Wittmann on Human Flowers of Flesh



Satan’s Limbo • Alexander Sokurov’s Fairytale



Timely Circumstances • Cyril Schäublin on Unrest



Myths of New England • On Michael Roemer’s Vengeance Is Mine



The Motern Method • The Films of Matt Farley and Charlie Roxburgh



What Is Cinema? • Olivier Assayas on Irma Vep



Finding Fielder • The Rehearsal



Bologna’s Bounty



Peter Brook • Flickers of Life



British Sounds • On The Afterimage Reader



Evidence Visible from a Distance • Tacita Dean on Fata Morgana



AFTERSUN • Charlotte Wells, UK/US



ALCARRÀS • Carla Simón, Spain/Italy



ENYS MEN • Mark Jenkin, UK



UN ÉTÉ COMME ÇA • Dénis Côté, Canada



FIRE OF LOVE • Sara Dosa, US/Canada



NOPE • Jordan Peele, US

Editor’s Note



PHOTO CREDITS



Entre Nous • Alice Diop on Saint Omer



The Asocial Network • Argentine Noir, Borges, and the Labyrinth without a Centre



The Pyramid of Power • Todd Field on Tár



Against Interest • Pierre Clémenti, Filmmaker



In the Bedroom • Bertrand Bonello on Coma



Exhausted • On Juliet Bashore’s Kamikaze Hearts



A Life of Love and Adventure • Laura Citarella on Trenque Lauquen



Alter Egos • On A Woman Escapes



Matters of Fact • Antoine Bourges on Concrete Valley



The Adventures of Gigi the Law • Alessandro Comodin, Italy/France/Belgium



The Eternal Daughter • Joanna Hogg, US/UK



I Have Electric Dreams • Valentina Maurel, Costa Rica/Belgium/France



The Maiden • Graham Foy, Canada



Poet • Darezhan Omirbaev, Kazakhstan



Viking • Stéphane Lafleur, Canada



Lars’ Anatomy • The Kingdom Returns



Godard, Tanner, and Switzerland



La France contre les robots • Straub’s Final Film(s)



ALL THE BEAUTY AND THE BLOODSHED • Laura Poitras, US



ARMAGEDDON TIME • James Gray, US



WHITE NOISE • Noah Baumbach, US



WOMEN TALKING • Sarah Polley, US